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WE LOVE MUSIC TECH

This site is designed to provide A Level Music Technology support and resources for students and teachers.

There are lots of FREE resources, lessons and content here to support your music technology learning.

Head over to the ‘revision‘ page to use our free topic overviews for all of the course content, along with a revision checklist for each topic.

You will also find plenty of practice short answer listening and extended response questions, complete with indicative content to show how you can answer the question.

In order to keep the site running and sustainable, there are also some courses you can purchase, along with a few teaching resources.

Use of this site is subject to our terms and conditions. Please read these before using resources or indeed paying for any content.

You should always check the most up-to-date exam requirements. This site is updated sporadically but may have elements that are out of date.

There is no obligation for anyone using the site to pay for anything; by all means just make the most of the free content which forms the majority of this site. All I’d ask is that if you find the site useful, you consider purchasing some of the longer courses. This money goes towards the overheads of keeping the site running.

Develop a wider understanding

Recreating ‘Don’t You Want Me’

This is a fantastically detailed demo of how ‘Don’t You Want Me’ by the Human League was created using the same gear…

Vox Earworm – Gated Reverb

This is a fantastic overview of the sound of gated reverb and how it works, featuring some big names in music production!

EXAM QUESTIONS

Practice your exam skills

‘Hey Now’ – London Grammar (Q6/9MT003)

London Grammar – Hey Now (2014)           This song uses a variety of different delay and reverb effects to create ambience. Evaluate:  (20) Talking points: The interesting uses of delay on the guitars and drums in the introduction – can you give some parameter settings e.g. delay time / feedback / panning / filtering? Be specific…

‘On The Beach’ (Q5/9MT003)

Chris Rea: On The Beach (1985) and York: On The Beach (1997) Evaluate the production techniques used in each version of the song. Your response may consider the following production aspects: (15)

‘Pump It Up’ (Q5/9MT003)

Elvis Costello: Pump It Up (1978) and Rogue Traders: Voodoo Child (2005) Compare the production techniques used in each version of the song. Your response may consider the following production aspects: (15)

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Study music technology

Most recent courses for components 3 and 4

  • 15 Clipping, distortion and saturation

    15 Clipping, distortion and saturation

    In this course you will learn about the effects of desirable and undesirable distortion and how the sound is affected. You will consider the impact of distortion on music and how the electric guitar and amp simulators work.

  • 14 Reverb and acoustics

    14 Reverb and acoustics

    In this course you will discover how sound behaves in a space, ultimately creating reverb. You will look at the different ways of creating reverb and how acoustics affects what we hear and studio design. You will further consider the impact of reverb on recording.

  • 13 Delay and modulated delay

    13 Delay and modulated delay

    In this course you will find out about different delay effects and their parameters. You will consider how these effects would have been created historically and present day. You will also study modulation effects and how they are created using a delay along with parameters and their impact on music technology.

  • 12 Stereo field

    12 Stereo field

    In this course you will discover how stereo actually works and how stereo technology developed over time. You will consider the impact of stereo and how it was applied differently to different recordings, and learn about the importance of mono compatibility and modern methods of enhancing the stereo image.